Research Seminar followed by some tasters with Dr Marcel Reyes-Cortez, Goldsmiths, University of London
In Mexico City, the dead are very present in popular culture and are manifested in the spaces of the living, for example in art, photography, cinema, literature, music, gastronomy and political rhetoric. Claudio Lomnitz argues that death and the dead in Mexico have been turned into a national ‘totem’. This social phenomenon has developed some unique social and cultural practices. This seminar will show how people symbolically represent the dead in order to include them in their social and living spaces and create memory and immortality through material culture and photographic portraits.
Through daily and yearly cycles, people develop and maintain intricate rituals involving the dead buried in the cemeteries of Alvaro Obregon, Mexico City. The conjoined landscapes of the living and the dead are spaces of personal and collective grief, charged with emotions, loaded with ethical and moral obstacles and obligations. Based on his PhD field research, Marcel Reyes-Cortez documents the numerous ways in which the living and the dead remain connected over generations. This involves long-term relationships and a range of activities (cemetery workers, flower-growers, coffin makers, etc.).