Reyes-Cortez on Portraits of Remembrance
“. . . Her eyes look straight ahead, as if looking at Don Francisco talking to her, the eyes of the image reciprocates the viewer’s gaze. I suggest that at this moment the materiality of the photograph is transformed and the photograph transcends the object, it protects the dead from the ephemeral human body, overcoming the absence of the person. I suggest that the photograph preserves traces of memory and personhood, shifted from the decomposing flesh in the coffin or a cremated body in a cinerary urn to the social body of the photograph. Portraits of remembrance protect the invincibility of the dead as a social person, making the dead visible through the relationships and the value entrusted to the material/spiritual image by its mourners and visitors . . .” p.48-49.
“When I die, I want to be buried with her. We met at school when she was 15 years old, and I love her now, as much as I did then, when we first met over 50 years ago.”
The cemeteries of Mexico City
Reyes-Cortez, M. 2010: Communicating with the Dead: Social Visibility in the Cemeteries of Mexico City, in Die Realität des Todes: Zum gegenwärtigen Wandel von Totenbildern und Erinnerungskulturen (Visibility of Death) by Dominik Groß, Christoph Schweikardt (edts), pp.33-62, Campus Verlag, Germany.